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    <description>Spectral masking explained from the psychoacoustics literature, and what it implies for EQ, arrangement and mix decisions.</description>
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    <description>Dynamic range compression research and streaming loudness normalisation — why crushing a master now costs you something for nothing.</description>
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    <description>Subtractive, FM and physical modelling synthesis as three answers to the same signal-processing question.</description>
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    <description>What Synth Science collects — which is close to nothing.</description>
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    <description>11 publications on synthesis — how many trials, how much synthesis, how recent, and what that means.</description>
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