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A reverb és a mélység pszichoakusztikája
A mélység egy keverésben percepciós hatás, nem pedig egy fader-beállítás. Mit mondanak az utózengés pszichoakusztikai vizsgálatai arról, hogyan ítélik meg a hallgatók a távolságot és a teret.
Elektronikus zenei termelés, a hallás tényleges működése alapján magyarázva
A legtöbb produkciós tanács örökölt technika, amelyhez egy plauzibilis magyarázatot csatolnak. A tényleges magyarázatok hasznosabbak, és általánosíthatók.
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Legújabb cikkek
Four mechanisms worth understanding properly
Psychoacoustics
Masking is why your mix is muddy
Auditory masking is a measured property of the cochlea. Once you can name it, EQ decisions stop being guesswork.
Rhythm
Syncopation, microtiming and pleasure
The relationship between rhythmic complexity and the urge to move has been measured. It is an inverted U.
Loudness
Loudness normalisation ended the loudness war
Streaming platforms normalise playback, which means crushing your master now costs you dynamics for nothing.
Synthesis
What synthesis actually does
Subtractive, FM and physical modelling as three answers to the same signal-processing question.
Rhythm
Low frequency and the urge to move
Low-frequency amplitude independently increases the desire to dance, which is measurable.
Practice
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They correct for the two things ears do badly: absolute level judgement and adaptation.
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