Článok
Reverb a psychoakustika hĺbky
Hĺbka v mixe je percepčný efekt, nie nastavenie faderu. Čo hovoria psychoakustické štúdie reverberácie o tom, ako poslucháči posudzujú vzdialenosť a priestor.
Výroba elektronickej hudby, vysvetlená spôsobom, akým sluch naozaj funguje
Väčšina rád na výrobu je zdedená technika s plauzibilne znejúcim vysvetlením. Skutočné vysvetlenia sú užitočnejšie a generalizujú.
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Najnovšie články
Four mechanisms worth understanding properly
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Auditory masking is a measured property of the cochlea. Once you can name it, EQ decisions stop being guesswork.
Rhythm
Syncopation, microtiming and pleasure
The relationship between rhythmic complexity and the urge to move has been measured. It is an inverted U.
Loudness
Loudness normalisation ended the loudness war
Streaming platforms normalise playback, which means crushing your master now costs you dynamics for nothing.
Synthesis
What synthesis actually does
Subtractive, FM and physical modelling as three answers to the same signal-processing question.
Rhythm
Low frequency and the urge to move
Low-frequency amplitude independently increases the desire to dance, which is measurable.
Practice
Why reference tracks work
They correct for the two things ears do badly: absolute level judgement and adaptation.
Súvisiace čítanie
Sound Verdict
Music reviews with production notes — and the science of why records feel the way they do.
DJ Gear Lab
Controllers, mixers and monitoring reviewed — including the hearing-damage maths nobody prints.
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